Jorge Sánchez Hernández [1926 – 2016] was a Mexican Catholic painter and continuator of the style of 17th century Spanish Baroque painters. Collections include: Portraits of Colonial Nuns; Scenes from Ancient Mexico; the Sor Juana Inés de la Cruz Collection; the Mother of Jesus Collection; the Gospel Scenes Collection; the Collection with scenes from the […]
Jorge Sánchez Hernández [1926 – 2016] was a Mexican Catholic painter and continuator of the style of 17th century Spanish Baroque painters. Collections include: Portraits of Colonial Nuns; Scenes from Ancient Mexico; the Sor Juana Inés de la Cruz Collection; the Mother of Jesus Collection; the Gospel Scenes Collection; the Collection with scenes from the […]
Jorge Sánchez Hernández [1926 – 2016] was a Mexican Catholic painter and continuator of the style of 17th century Spanish Baroque painters. Collections include: Portraits of Colonial Nuns; Scenes from Ancient Mexico; the Sor Juana Inés de la Cruz Collection; the Mother of Jesus Collection; the Gospel Scenes Collection; the Collection with scenes from the […]
Jorge Sánchez Hernández [1926 – 2016] was a Mexican Catholic painter and continuator of the style of 17th century Spanish Baroque painters. Collections include: Portraits of Colonial Nuns; Scenes from Ancient Mexico; the Sor Juana Inés de la Cruz Collection; the Mother of Jesus Collection; the Gospel Scenes Collection; the Collection with scenes from the […]
Jorge Sánchez Hernández [1926 – 2016] was a Mexican Catholic painter and continuator of the style of 17th century Spanish Baroque painters. Collections include: Portraits of Colonial Nuns; Scenes from Ancient Mexico; the Sor Juana Inés de la Cruz Collection; the Mother of Jesus Collection; the Gospel Scenes Collection; the Collection with scenes from the […]
100 The Destruction of the Beast and the False Prophet, 1804. Oil on panel. 39 x 56 1/2 ins (99.06 x 143.51 cms). Minneapolis Institute of Art, Minnesota. West exhibited this picture, also known as The Messiah on a White Horse, at the Royal Academy in 1804, and later claimed that the subject was conceived […]
The Archangel Michael Binding the Devil. 1777. Oil on canvas. 453.5 x 210.5 cms. Trinity College, University of Cambridge.
The Archangel Michael and the Dragon. 1797. Oil on canvas. 50 1/2 ins(128.3 cms) x 23 9/16 ins (59.8 cms). Toledo Museum of Art, Toledo, Ohio. This canvas was a design for a stained glass window commissioned for Fonthill Abbey; it was never made as a window, however.
The woman clothed with the sun flees from the persecution of the dragon. Oil with pen and ink on canvas. 15 ½ × 11 ¼ inches (395 × 286 mms). Private collection.
The Women clothed in the Sun. Oil on paper laid down on wood panel. c1797. 149 x 69 cms (58 11/16 x 27 3/16 ins); frame: 168.5 × 87.2 cms (66 5/16 × 34 5/16 ins). Princeton University Art Museum, Princeton, New Jersey. Probably a design for a stained-glass window at Fonthill Abbey.
