Phillip Medhurst

A Pilgrimage to Truth

Tag: Revelation

093  Death on the Pale Horse

Death on the Pale Horse. 1796. Oil on canvas. Unframed: 23 3/8 × 50 5/8 ins (59.4 × 128.6 cms). Framed: 36 1/2 × 63 1/8 × 3 1/8 ins (92.7 × 160.3 × 7.9 cms). Detroit Institute of Arts, Detroit.

092  Death on the Pale Horse

Death on the Pale Horse. 1817. Oil on canvas. 176 x 301 ins (447.0 x 764.5 cms). Pennsylvania Academy of the Fine Arts. This version is thought to be the artist’s final major work. West based it on the Book of Revelation 6:8, in which the Four Horsemen of the Apocalypse—Death, War, Famine, and Pestilence—ravage […]

091  Saint John the Divine called to write down the Revelation

Saint John the Divine called to write the Revelation. 1797. Oil on five sheets of paper mounted on canvas, itself mounted on wood. 57 7/8 × 26 1/2 ins (147 × 67.3 cms). The Museum of Fine Arts, Houston.

Phillip Medhurst presents 221/392 the James Tissot Jesus c 1896 The Voice from on High John 12:27-38,41-43. By (James) Jacques-Joseph Tissot, French, 1836-1902. Opaque watercolour over graphite on paper. 18.9 x 26.4 cms. Brooklyn Museum New York.

Phillip Medhurst presents 221/392 the James Tissot Jesus c 1896 The Voice from on High John 12:27-38,41-43. By (James) Jacques-Joseph Tissot, French, 1836-1902. After a painting now in the Brooklyn Museum, New York; photogravure from “La Vie de Notre Seigneur Jésus Christ … . avec des notes et des dessins explicatifs par J. James Tissot” […]

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By (James) Jacques-Joseph Tissot, French, 1836-1902. Gouache on board. https://pixelfed.com/phillipmedhurst https://archive.org/details/james_tissot_old_testament_images

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By (James) Jacques-Joseph Tissot, French, 1836-1902. Gouache on board. https://pixelfed.com/phillipmedhurst https://archive.org/details/james_tissot_old_testament_images

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https://archive.org/details/james_tissot_old_testament_images

The Apocalypse Revealed 16 (Finis)

The scroll of the six days of creation is open for all to see in the Book of Genesis. The basis for God’s salvage-operation is also available for all to see in the Law. The scroll of the six “days” of destruction is open in the Apocalypse of John. During the seventh “day” of a thousand years God will “rest” from the destruction and Satan will be bound so that the “everlasting gospel” can be seen, unobscured by the forces of evil (Revelation 14:6-7, Romans 1:19-22). In the final consummation the scroll of creation – upon which God’s Word has been written – will be rolled up, and all will begin anew. The Light of Gnosis, God’s first creation, will once again illumine nature, and those passing the final test will be given access to the Tree of Life.

FINIS

Robert Bowyer (d.1834) expanded his copy of the Macklin Bible by inserting over 6200 prints. The Bowyer Bible is housed in Bolton Museum. For the prints, see https://archive.org/details/bowyer-bible For Phillip Medhurst’s interpretation of the Revelation, see https://archive.org/details/The_Apocalypse_Revealed

The Apocalypse Revealed 15

During Jesus’ millennial rule on earth, a “great crowd” of survivors of Armageddon and of the resurrected who were unable during their natural lifespan to access the proclaimed Gospel will be able to choose the “everlasting gospel” of obedience to God in circumstances where Satan is bound and Paradise restored on earth. The 144,000 co-regents will intercede as priests for their resurrected ancestors. The Danites, however, are excluded from the spiritual Israel (Judges 17:1-18:31). Their sin against the Holy Spirit was to use religion as a justification for evil. They will be resurrected at the end of the millennium, judged, then consigned to everlasting torment in the lake of fire – a diabolical immortality.

Robert Bowyer (d.1834) expanded his copy of the Macklin Bible by inserting over 6200 prints. The Bowyer Bible is housed in Bolton Museum. For the prints, see https://archive.org/details/bowyer-bible For Phillip Medhurst’s interpretation of the Revelation, see https://archive.org/details/The_Apocalypse_Revealed