The Last Supper and The Resurrection. Design for the East Window, St. George’s Collegiate Chapel, Windsor, 1781. Drawing; pen and ink on wash on paper. 635 mms x 410 mms. Royal Academy of Arts. Burlington House, Piccadilly, London. From 1779 to 1801 West became involved with the large-scale restoration of St George’s Chapel in Windsor […]
Lamentation over the dead Christ. Date unknown. Oil on paper laid down on panel. Yale Center for British Art, Paul Mellon Collection, USA.
The Crucifixion. Study in oil colour, for a glass painting by Charles Forrest. From 1779 to 1801 West became involved with the restoration of St George’s Chapel in Windsor Castle. He created this design for a new west window, which when completed was to be 28 feet wide by 36 high. The only surviving depiction […]
Christ Rejected – by the Jewish High Priest, the Elders, and the people when brought to them by Pilate from the Judgment Hall. 1814. Oil on canvas. 200 x 260 ins (508.0 x 660.4 cms). Pennsylvania Academy of the Fine Arts, Philadelphia.
Peter Denying Christ. 1778. Oil on canvas. 123.8 x 123.9 cms (canvas/panel), 152.1 x 152.0 cms (frame, external). Royal Collection Trust. Given to George III by the artist.
The Last Supper. 1786. Oil on canvasUnframed: 98 × 140 1/2 ins (248.9 cms × 356.9 cms); framed: 114 × 154 1/2 ins (289.6 cms × 392.4 cms). Detroit Institute of Arts.
The Last Supper. 1784. Oil on canvas. 1830 × 2757 mms. Painted for the King’s Chapel at Windsor; presented by King George IV in 1828 to the Tate Gallery, London.
The Raising of Lazarus. 1780. Oil on canvas. 101 x 130 ins (256.5 x 330.2 cms). Wadsworth Atheneum Museum of Art. It was commissioned as the altarpiece for Winchester Cathedral, Hampshire, England, where it remained 1782-1900; purchased by J. Pierpont Morgan, New York City, in 1900. Now at Wadsworth Art Museum, Hartford, Connecticut and recently […]
The Raising of Lazarus. 1788. Oil on canvas. Height: 73.4 cms (28.9 ins), width: 116.8 cms (45.98 ins). Glasgow Museums Resource Centre.
The Raising of Lazarus. 1780. Pen and brown ink with brush and watercolor, heightened with white gouache, and squared in graphite, on cream laid paper, laid down on cream laid card. 176 × 238 mms. The Art Institute of Chicago, Chicago, Illinois.
Phillip Medhurst 